This week is less about one concept and more about something that will benefit the entire process of becoming the best you can be. There are enough things to work on when it comes to being a jazz musician that it can be overwhelming. If our focus is on too many things, we never end up getting better at anything. The only way to get really deep into a concept is to limit what we allow ourselves to work on at any given time. When we think of the masters of jazz, it becomes clear that they would … [Read more...]

As promised, here is part 2 of our series on making your solos over the blues much more interesting. Last week we looked at some changes that we could put into the blues progression to make it sound more bebop-ish, thus giving us a little bit more direction and interesting harmonic movements to solo over. This week we are going to take everything more "outside" the chord changes by working with tension and release, as well as chord substitutions. A word of warning before jumping into this … [Read more...]

The blues is one of the most, if not THE most important progression that you have to learn to play over. The blues is the basis on which so much of jazz is built on that I consider it a right of passage for every player. One of the coolest things about the blues is we can play it with extremely simple changes or very complicated changes along with every combination in between. This week we are going to look at some chord changes that you can put into the blues to spice things up and make … [Read more...]

We all know that learning vocabulary is vitally important for becoming a competent improviser. But learning vocab is sometimes not very rewarding in the way that we can't be as creative as we would ultimately like to be. This week's episode is focused on taking our normal vocabulary building exercises and spicing it up with some of our own ideas. Things like changing direction, adding or subtracting from a line, or changing something the slightest bit can force us to get deeper into what we … [Read more...]

Welcome to the Lick of The Month! This week we learn a line from one of the greatest jazz musicians that has ever lived, Michael Brecker. This lick is from his solo over the classic tune, Song For My Father. Brecker, in his classic style, doesn't stay inside the key of the chord he's playing over. This one short lick is like a masterclass on how to use tri-tone substitutions. If you aren't quite ready for substitutions yet, don't worry! File this episode under work to be done when you feel … [Read more...]

This week completes our look at core exercises which every jazz musician worth their weight needs to know. We already studied major modes, chord tones and extensions, and this week we complete the series with a look at chromatic exercises. Chromaticism is important in every form of jazz but particularly in bebop. I like to think about bebop as the first form of "modern" jazz. Meaning that all music that came after it was very informed by the bebop style. These exercises will translate well to … [Read more...]